2018/19 Season Reviews
Otello in Otello
Deutsche Oper Berlin
“An honest, committed interpretation of Otello…full of emotion and nuances..”
Otello in Otello
Canadian Opera Company
“Otello requires a voice that marries Wagnerian stamina and Italianate beauty. The universe of tenors who can sing it well is small. Russell Thomas is one of them.”
Tito in La clemenza di Tito
Los Angeles Opera
“The fervency and emotional commitment of Thomas’s interpretation proved fiercely effective… Here was a tenor who didn’t so much act the role of the doomed lover Manrico as inhabit it…”
Tenor Soloist in Das Lied von der Erde
Dallas Symphony Orchestra
“The fervency and emotional commitment of Thomas’s interpretation proved fiercely effective… Here was a tenor who didn’t so much act the role of the doomed lover Manrico as inhabit it…”
Manrico in Il trovatore
Lyric Opera of Chicago
“The fervency and emotional commitment of Thomas’s interpretation proved fiercely effective… Here was a tenor who didn’t so much act the role of the doomed lover Manrico as inhabit it…”
Manrico in Il trovatore
Bayerische Staatsoper
“Thomas builds his metallic high notes from a dark, strong middle register and creates with a lot of musicality and courage in the piano…
Roberto Devereux in Roberto Devereux
San Francisco Opera
“An extraordinary performance… Thomas made the difficult title role sound like a child’s play and he imbued his performance with swagger and confidence...”
Tenor Soloist in Beethoven Symphony No. 9
BBC Proms
“The rounded but strong tenor of Russell Thomas – no straining or shouting here…”
Otello in Otello
Los Angeles Philharmonic
“A formidable Otello…an all-in performance that conveyed the power and the emotionally conflicting elements that drive Otello to his doom…”