Radames in AIDA

Houston Grand Opera

“Tenor Russell Thomas (Aida's closet lover, Radames) has the clarion sheen of immortal Richard Tucker and the silky smoothness of young Placido Domingo. His “Celeste Aida,” one of the most renowned and difficult tenor arias in the rep, was a masterclass of phrasing and musicality. His final duet with Aida in the tomb where he's been buried alive was exceptionally moving.”
–D. L. Groover, Houston Press

“Thomas launched into the introduction to “Celeste Aida” with a ring and enthusiasm that befitted a warrior envisioning glory to come. The aria itself began with tinges of the same ardor. Yet Thomas also brought the aria — which is a love song, after all — softer turns of a kind that few tenors muster. He even gave a gentle turn to the climactic high B-flat… He brought fire and vitality to the ensembles’ confrontations, helping keep the story’s tensions boiling. And in the Tomb Scene, his touches of softness — again, even reaching up to high B-flat — complemented Wilson’s.”
–Steven Brown, Texas Classical Review

“As Radames, tenor Russell Thomas makes a stirring and steadfast anchor for the many plot machinations; his palpable chemistry with Wilson especially comes forth during their thrilling Act 3 duet.”
–Chris Gray, Houston Chronicle

“Wilson is well matched by tenor Russell Thomas as Radames, in his HGO and role debut, particularly in their fourth act duets. His voice rings strong and clear without ever becoming strident. His imposing, broad-shouldered stage presence further contributes to his convincing performance of the victorious officer.”
–Michael Clark, Houstonia